Mourning Needless Death of Life


pine limbs

Trees: I am awed by trees but I don’t enjoy painting them. My mind rolls it over and over as to why these eloquent, primal, enduring, life giving and supporting entities in our world are so elusive to my painting skills.

I excuse myself from the studio most days for a walk around our neighbourhood and there is one tree that has made me think it was possible to again attempt painting a likeness. It’s a tree that has become a rare species here, the mature healthy ponderosa pine. The pine beetle devastated our forests in ’05 and ’06 and the ensuing years of wind and snows have levelled areas to piles of blackened pick-up-sticks.

I planned to take a picture of this tree and put it in the painting queue.
On this morning’s walk Huz joined me, and as we neared  “The Tree” that provides shade for a house, homes for birds, beauty that has no superior, my heart knotted up into my throat hearing the shrill screaming of limbs being sawed off, this living being standing there with no defence, fully cognizant of it’s parts severing off, conscious of it’s parts being torn to shreds in the blades of roaring gulping chipper below. The sound and sight overwhelmed my composure.

I wept the rest of the walk.

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With words, I can only scrape the depth of the agony it sends into my soul. You may think me over dramatic by describing the tree as if it is a human being but while you’re thinking, include that science proves trees live in communities. They are families that don’t compete for light, food and water but share. A mother tree ‘nurses’ her young. An ‘intruder’, yes, is competition. See What Plants Talk About on the Nature Series on PBS for an insightful example of this.
We assume trees don’t feel because they haven’t a nervous system but they are conscious; conscious of light – they grow toward it, conscious of attack, they heal an opening with pitch, conscious of intruding species by not sharing food and if they survive the competition it follows that they are the fittest and should carry on the species with their seeds. They must also be conscious when they are being killed.

I have mourned the deaths of trees so many times, I can’t keep it to myself anymore.

Trees that are cut down because they are ‘messy’, (physical exercise to clean up the “mess” is good for us, or move then if that’s too that much effort) or because they block the sun, (shade in a desert region like ours is an energy saver) or the house isn’t perfect because the roots are cracking the basement, so mend it and live with it. Must we always dominate nature?

I chose to live with her perfections and allow ‘her’ nature to enrich my experience of life.

A robust ponderosa pine with 8 inch needles bursting with life, it’s trunk rich cinnamon and grey patterned was cut down today, it’s vanished. The evidence of it’s murder scene shredded and removed from the location. It’s children watched, could they turn off their consciousness?

I heard the tree screeching for it’s life, filling the air with it’s rich perfume, with the scent of tears. Don’t you realize it’s an elder and has so much to give future generations of all that lives beneath and around it.

Can you understand the injustice I feel.

Once home I switched the painting I was working on for a clean canvas and was seething with distress of the image of the raw pain that would take shape. I paced around the room. How could I live with looking at what I would paint – it would be so very harsh.

So I decided to paint with words instead because there is such a great need for beauty in this tired old world so I switched back to the painting in progress and in between the blues and terracottas I wrote this rant.

Yes I love trees, I respect them, I am in awe of them and maybe some day I will paint a good one but more important is that I value their lives as much as my own, no, even more.

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Published in NY Art Mag


One of the perks of being a part of the Agora Gallery is their marketing. Twice a year they publish ARTisSpectrum, a full colour magazine of their artists and their artworks. There’s lots of colour and stories to enjoy in this publication. You can view it below or order a print copy from Agora.

This 30th edition has a feature of yours truly STUDIO SPACES –  and see on page 107, Memorable Receptions from Around the World 

Click this link and the “magazine will open”

 

 

Smolder – completed


The last dabs of paint are bitter sweet. I’m happy with it and relieved it’s done while I’m sorry the journey is over. The last touches are often the ones that make it sing. Hitting the lightest areas and the darkest areas and then the painting takes on a bigger part of the value spectrum.

The more I paint the more there is to learn. Watched Fake or Fortune last night about proving a Van Dyck painting and when the layers of varnish and over painting were painstakingly removed, the blending revealed in the face just floored me – I melted at the exquisite quality. I think the images on TV are better than any printed book I’ve seen. Maybe some day I’ll visit those museums in Europe and drink in all the goodness there.

Smolder (for NY)

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Victoria Weller in 2013 Exhibition


Yesterday I met and photographed the delightful Vicci Weller who is the Executive Director of Film for the Thompson Nicola Film Commission. Since knowing great locations where film crews can set up and shoot their movies is an integral part of her responsibilities, we ventured to one such location for our shoot. 
Vicci has a lifetime of production and on-set experience and created the Film Commission for our region. Her efforts bring many dollars to our community and as most films crews come from out of town, Kamloops is promoted world wide. 

Here is Vicci with me.

Janice Michel photo shoot


I had the very warm pleasure of meeting and photographing Janice Michel for the exhibition this week. She has been an educator for more than 20 years and is the Program Coordinator of Secwepemc Cultural Education Society (SCES).
Janice has provided a loving and compassionate passage for hundreds of adult students on their life journey.
We met at the SCES facility on Monday just before that local thunderstorm, it was a very toasty day!

 

 

Back – values in gray tones


When I draw I search for the hard lines that dilineate form. In the photo I’m working from, the hard lines make up about 2% of the total image and the rest of the shapes are soft and nebulous. Drawing these nebulous lines is like drawing the flight of a bee.
The shapes in the models back are ‘defined’ by gradations of undulating light to dark colours. Below I’ve mapped out the gradations in 3-4 different tonal values which makes it look very choppy, jarring even, so unlike what is seen in the original photo. 
Below is a tonal map that will give me the general direction to start from on canvas. In colour, I expect the tonal range will be more complex.
A new painting challenge awaits – charge!!

Click on image to see it larger

Monumental Drawing – finished


For me, the word “monumental” is steeped in a realm of feeling and history that would take a book to reveal its depth and breadth.
For those who have known me and my endeavor to complete the Monumental Drawing, know now, that it is finished.
I started it in 1996.
I’ve just entered it into a juried show in New York called, “Artist’s Wanted.” This show has the potential to give this piece a life of it’s own – at last.

Visit http://Budreau.artistswanted.org/yr2011 to view the 30 foot tall work, read about it’s journey, and vote using the blue button. Your vote counts towards a Peoples Choice Award. Voting closes Jan 30, 2012

Please note: the piece is so tall that I can’t get a good photo of it in one photo, so I stitched several photos together – click on it for larger view, and if in the enlarged view it appears to shrink, or still looks small, click once more.

Monumental Drawing 30'x5' Pencil on Stonehenge (stitched photos here)

 

Drawing Workshop


For those of you in the “neighbourhood” who may like to hone your drawing skills, or learn some drawing skills, I’ll be teaching a 2-day workshop at TRENDS Art & Frame in Kamloops on Sunday March 4 and Sunday March 11, 2012. It runs from 10am-3pm. Phone Leslie at 250-372-9331 to sign up. If drawing a stickman gives you grief, you will get a lot out of this workshop.

$150.00 and includes all the supplies you’ll need, just show up with a lunch and an open mind. Looking forward to seeing you there.